C. Austin Miles wrote this hymn a few weeks before Easter in 1912
For the past two decades I have hosted hymn sings for older folks who miss the good old songs of the faith. In an age when church hymnals have been replaced by modern worship choruses projected on screens, singing while holding a book has become a disappearing phenomenon. And as I pastor, I recognize that not everyone relates to or appreciates singing off-the-wall lyrics.
One of the popular aspects of the hymn sings I lead is sharing the backstory of how beloved hymns came to be written. I refer to these anecdotes as “the him (of her) behind the hymn.” One of my favorite rest-of-the-story hymn histories relates to the most central theme of Christianity that we celebrate this weekend.
As Easter Sunday 1912 drew near, a New Jersey hymn writer by the name of Austin Miles was faced with a challenge. His publisher had asked him to come up with a hymn that was “sympathetic in tone, breathing tenderness in every line; one that will bring hope to the hopeless, rest for the weary, and downy pillows to dying beds.”
Not quite sure how to approach such a specific assignment,
Miles retreated to a dark room in his basement where this amateur photographer would go to process his pictures. This time, however, he was hoping for inspiration to develop singable word pictures that would please his publisher.
The mustached hymnwriter, who resembled a Kentucky Colonel, sat in his dark room lit only by a soft red lamp. He opened his Bible to the 20th chapter of the Gospel of John. It was one of his favorite passages of Scripture. As he read the account of Mary Magdalene arriving at the empty tomb, by his own admission he fell into kind of a trance. As I read it that day, I seemed to be part of the scene. I became a silent witness to that dramatic moment in Mary’s life, Miles wrote in his journal.
He found himself in the scene personally observing the interaction between a grieving former prostitute and someone Mary perceived to be the gardener. But then as the risen Christ spoke her name, her sorrow was swallowed up by joy.
Even though that dark March day was cold and dismal outside, it was as though Austin Miles was basking in the warm sunshine of a spring day. He grabbed paper and pen and began to write lyrics inspired by what he’d seen in his vision. Later that evening, he composed music to accompany his words. He called his hymn “In the Garden.”
On Easter Sunday as 1912, as Austin Miles gathered with his wife and other Christian believers to celebrate the good news of Christ’s resurrection, the poem he had just put to original music was no doubt filling his joyful mind and heart.
Not only had he achieved the assignment his publisher had given him in a timely manner, but the train-pharmacist-turned-hymnwriter had written a timeless hymn. “In the Garden” with it’s familiar refrain “and He walks with me and He talks with me and He tells me I am His own…” would become one of the most beloved Christian songs of all time. To date it has been recorded and printed over a million times.
Austin Miles could not have imagined what would take place in the decade that followed the writing of “In the Garden.”
Within a week of that Easter Sunday, families in North America and in the United Kingdom found themselves in need of his comforting words to salve their grieving hearts. On April 14th in the icy waters of the North Atlantic, the Titanic would have a catastrophic collision with an iceberg. Tragically, some 1,500 souls would be lost.
Within two years World War 1 would break out in Europe. What would last for more than four years would result in more than 15 million deaths. And as that devastating source of heartache was concluding, the Spanish flu broke out claiming some 50 million lives.
What Austin Miles’ lyrics called to mind for grieving families over the next several years remains a timeless truth. It is a hymn that visualizes the reality of our resurrection hope made possible two millennia ago.
Because of that borrowed grave unexpectedly vacated after only a weekend’s use, Christians around the world can sing with confidence “and He walks with me and He talks with me.”
Sing we of Christ, His coming we proclaim. King of all Lords, Immanuel His name. God is with us. The Promised now is here. Jesus is born and with Him death of fear.
Into a world so cold and dark with sin, this Christmas God appears in human skin. Truth fills His frame and grace His every word. “Winter is gone!” the angels song is heard.
Sing then their song with glad hearts warm and full. Christ knows our lot of misery and woe. Fin’lly there’s One who understands and cares. Glory to God! Let earth sound her fanfare.
People arise, accept this Christ today. Wrapped in God’s love, He gives Himself away. Not as a baby does He come this time. But as our Lord, a man yet God divine.
We’ve been blessed to be a blessing! We’ve been saved to serve the Lord! We’ve been qualified for service given gifts God’s grace affords. In our labor and our leisure, there is something we can do to restore the church’s purpose and her ministries renew.
We’ve been made alive to listen to the whispers of despair. God has given us the courage to speak up and show we care. We’ve been pardoned to be partners with the Holy One who made everyone to serve His purpose so His glory is displayed.
We’ve been healed to help the hurting as they grieve for ones who’ve gone, as they try to find the means to stay the course and carry on. We’ve been called to be a family, to achieve what God intends as we play the part assigned us mending fences, making friends.
** These lyrics can be sung to the tune “Ode to Joy” *** This calligraphy and poem is part of Greg’s new book “My Rhymes and Reasons” illustrated by Timothy R. Botts
In addition to each week’s post on this website, Greg Asimakoupoulos offers daily video devotionals on his YouTube channel. Here is a sample video. If you are interested in receiving these devotionals Monday through Friday, you can subscribe at My Rhymes and Reasons on YouTube.
One of the most popular Thanksgiving hymns is Come Ye Thankful People Come
“Over the river and through the woods to grandmother’s house we go…”
That timeless children’s song celebrates Lydia Maria Child’s childhood memories of visiting her grandfather’s house. Curiously, the original version refers to grandfather’s house (not grandmother’s).
Although the Christmas season is replete with carols and holiday songs, “Over the River” was the only Thanksgiving song I remember singing in school. Fortunately, there were songs that we sang in church that compensated for what was lacking in the classroom.
I love Thanksgiving hymns like “Come We Thankful People Come,” “We Gather Together to Ask the Lord’s Blessing” and “For the Beauty of the Earth.” There is just something about the lyrics to songs like “Now Thank We All Our God” and “All Creatures of Our God and King” that tune our hearts to sing God’s praise.
For me Thanksgiving is defined by feasting on turkey and all the trimmings including Gulliver’s creamed corn (a traditional family favorite) and my wife’s homemade pumpkin pie. It also includes the sharing of personal expressions of gratitude around the table before enjoying football.
All the same no Thanksgiving would be complete without borrowing language from folks like Martin Rinkart, Folliott Pierpoint, Fanny Crosby, Johnson Oatman and St. Francis of Assisi in order to voice my gratitude to God. The hymns of thanks we sing in church on the Sunday not only call us to worship, they remind us what Thanksgiving is all about.
Forty-five years ago, when I became a pastor in a denomination with Scandinavian roots, I discovered a Thanksgiving hymn I’d not sung in my youth. The melody was quite enchanting, but the words were what captured my heart. They were refreshingly candid. They spoke of pain and problems in the midst of a life of filled with blessings. Rather than ignoring hardship and heartache, the poet acknowledge suffering as part of the human experience.
Two of the stanzas read as follows…
Thanks for prayers that Thou hast answered. Thanks for what Thou dost deny! Thanks for storms that I have weathered. Thanks for all Thou dost supply! Thanks for pain, and thanks for pleasure. Thanks for comfort in despair! Thanks for grace that none can measure. Thanks for love beyond compare!
Thanks for roses by the wayside. Thanks for thorns their stems contain! Thanks for home and thanks for fireside. Thanks for hope, that sweet refrain! Thanks for joy and thanks for sorrow. Thanks for heav’nly peace with Thee! Thanks for hope in the tomorrow. Thanks through all eternity!
Upon doing a little research I learned that “Thanks to God for My Redeemer” (“Tack O Gud”) was originally published in Swedish in 1891. It was written by August Storm, a member of the Stockholm Salvation Army.
In addition, I discovered there was a logical reason why the poet referenced life’s setbacks and disappointments in his hymn of thanksgiving. August Storm’s life, like his name suggests, was beset by the unexpected and undesired just like a late summer deluge. Tragically, he suffered a serious back injury that left him crippled for much of his adulthood. Having experienced suffering and pain as a person of faith, he incorporated these realities in his hymn text.
The hymn was introduced to the American church through Swedish immigrants settled in the States near the turn of the twentieth century. As they experienced the hardships of adjusting to a new country, they clung to songs of their faith and heritage. Especially words that recognized problems as part of the faith journey.
As I come to this Thanksgiving week, I find myself counting my blessings. I am grateful for hymns that help me vocalize my gratitude to God for His goodness. But I am also grateful for challenges life deals me that help me see the faithfulness of God more clearly. And with that in mind, I’m grateful for the words written a long time ago by a man I never met.
In addition to each week’s post on this website, Greg Asimakoupoulos offers daily video devotionals on his YouTube channel. Here is a sample video. If you are interested in receiving these devotionals Monday through Friday, you can subscribe on Greg’s channel.